Whereas out selling the album, Rosalía wore a sinewy, sheer Dilara Findikoglu fall 2024 robe whereas performing on the LOS 40 Music Awards in Valencia, Spain. The costume featured cream tulle panelling with a black overskirt—the angelic and the underworld aesthetics intertwining.
“I needed to precise divine female energy someplace past time, past actuality, and past what is occurring,” Findikoglu instructed Vogue of the gathering on the time. The Dilaraverse and Rosalía’s visions for Lux orbit one another.
On the pink carpet of the LOS40 Music Awards, Rosalía seemed the a part of a fall angel in customized Balenciaga spring 2026, with a feathered black cape and otherworldly creature crystal and black sun shades. One other promo shot outfits her, in a state of intense prayer, in Jean Paul Gaultier spring 2004 corset gloves—a twisted, ascetic picture.
Rosalía in Dilara Findikoglu fall 2024.
The video for goth-pop, avant-orchestral “Berghain” revels in archival, off-the-runway pulls, styled by Jose Carayol. There’s a clinging black costume and jacket from Alexander McQueen’s fall winter 2002 assortment, sourced from London’s West Archive. “I needed it to be romantic, lovely,” McQueen instructed Vogue of the gathering on the time. “Energy to the ladies!” The designs melded milkmaid necklines with Helmut Newton-esque particulars like leather-based bodices and tight pencil skirt. It’s the identical—typically pleasurable, typically painful—dichotomy that has fascinated the Catalan star.